Pretty much my three favorite things right now!

I am anxiously waiting for many things to be published, which is always an exciting feeling--especially since it's back to the grindstone as soon as it goes live. No rest for the weary in freelance life.

The first this week was at Life & Thyme and was a story I wrote about Hog Island Oyster Company. It's my first story for L&T and my friend Jim Sullivan shot the gorgeous images from a trip we took up to Marshall, California last month. They have an inspiring company with killer product--basically, the ideal subject for any kind of food nerd. In theory, I understood what sustainable shellfish farming meant, but I didn't really understand the practicalities of it until I went up to Hog Island. 

The second, at New Worlder, is an exhaustive guide to wineries in the Valle de Guadalupe--something that is surprisingly missing out in the glut of media focusing on the Valle these days. Everyone knows I love the Valle and think its one of the most exciting places to be right now, but I also think the wine has some way to go to reach extremely high quality. They're growing some good fruit down there, but some winemakers need to figure out how best to harness that. I think the Valle is an interesting challenge for traditional wine lovers who are stuck in their ways. There are weird blends and different tastes, including riffs on common varietals that just have a different twinge down there. In any case, this is your one stop shopping for all things wine in Baja. Many of the beautiful photos, including the one below, were shot by my friend Cintia Soto.

The third piece to go live was in print in Ranch & Coast's July issue. My monthly column talks about Riesling and recaps my April 2017 journey through the Rheingau, where I discovered that I'm completely obsessed with the German varietal. We have such a wrong view of it in the United States! Most of them aren't even sweet and the Rheingau's many vineyards with small production means we miss out on much of the best. I also shot the three photos used for the piece on my new mirrorless camera--below is one from one of the cellars at Kloster Eberbach.